Below, we have curated ten creators that you should look out for in 2025:

The Cast of This Week Tonight

The first entry on our list is not one person but a group of comics who have consistently created sketch shows that table the myriad of issues that keep us all at night in the vane of Saturday Night Live. Everything from government policies to campaign billboards has been on the sharp end of the commentary from the cast of This Week Tonight.

Temi Adetayo, Fejiro Omu, Eme-Uche Chidera, Okiki Aribigbola and Kolamide have been able to break through the trend of making caricatures of already marginalised people as comedy by elevating relevant topics with humour.

Ama the Amazing

Perhaps one of the hardest categories to break through is the food category, in large part because many of us are not as willing to proclaim that our mother’s food might not be the best out there. But Ama was able to do that. His videos, cooking for his friends, have been exciting to watch. Though he still has under 100k followers on Instagram, brands already see his potential and have partnered with him for dozens of his videos.

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Aida

Aida cultivated a following in 2024 for her unique spin on an otherwise familiar brand of TikTok content. Gist has always been a huge part of the internet and how news is consumed online, but she has been able to elevate the format by presenting herself as your best friend. Think Gistlover for the Republic Journal crowd.

Fido

His December hit song, “Joy Is Coming” is already the song of the new year. After a year filled with economic upheaval and a very wonky power grid, the musician Fido preaches hope in a seemingly hopeless situation. Already, critics are highlighting the similarities between his sound and Kizz Daniel, who also rose to fame by consistently dropping hits.

Bloody Civilian

The musician Emoseh Khamofu, known as Bloody Civilian, has been trying to break through as an Afrobeats artist for years. But after she called out the controversial minister, Helen Ukpabio, who has been criticised for causing large-scale harassment and violence against children accused of witchcraft late last year, she found new fame that led to a renewed interest in her music.

Iremide Adeoye

As a young Israel Ransome-Kuti in the Bolanle Austen-Peters original Funmilayo Ransome-Kuti, Iremide Adeoye ushered himself into a new level with his acting. He currently stars in three Showmax originals, including the latest season of the hit show Wura, where he first got the public’s attention. He started out in the creative space as a drummer, but after an actor didn’t show up on set, he was offered the role and has been taking his acting seriously ever since.

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Ifeoma Nkiruka Chukwuogo

The trifecta creative—actor, singer, and dancer—Ifeoma Chukwuogo has been working her way up in entertainment for some years now. But at the Africa International Film Festival (AFRIFF) last year, the feature film she directed, Phoenix Fury, was met with critical acclaim. Chukwuogo won Best Director for this film. While it has not yet had its cinema run or debuted on a streaming platform, it’s expected to be successful.

Dahmola

Stylist to the stars, Dahmola had one of his best years yet in 2024, culminating with Christmas in Lagos, for which he was the costume designer. Toke Makinwa, Simi, and Bonang Matheba are among his clientele. In an interview with Zikoko last year, he said he was ready to expand his offerings to include bridal styling. Some brides and their grooms have already enlisted his services for their big day ‘fits.

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Angel Micheal

Think of Angel Micheal’s brand of content as “A day-in-the-life” on steroids. He took an old internet format and reimagined it by attempting to show the lives of others. He has done A-day-in-the-life videos of the pre-internet world, bricklayers, mechanics and more.

Chidimma Adetshina

After facing a series of xenophobic attacks in South Africa that ultimately pushed her out of the Miss South Africa contest, she emerged winner of the Miss Universe Nigeria contest, which saw her represent the country at the global Miss Universe contest. Though she didn’t win, she was the first runner-up, which was a huge victory considering the year she had.

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ALSO READ: 8 Nigerian Albums To Look Out For in 2025

That’s why we asked Nigerians to share their New Year’s resolutions for 2025. From career goals to personal growth, and from the relatable to the ridiculous, their responses are motivating reminders that we’re all in this together.

So, what do Nigerians want to achieve in 2025? Here’s what ten people had to say:

Mariam

My resolution for the year is broken down across career, faith, money and enjoyment. It breaks down what goals I want to achieve at the end of the year, how much money I want to save, and what I can do to be a better Muslim. The enjoyment is simple stuff I enjoy like skincare and the books I want to buy.

Every year I make resolutions, I follow through on most of them. Before I wrote out what I wanted for 2025, I listed what I achieved in 2024 and realised that I hit 70% of my 2024 goals. I wrote out the resolution for 2025 in my app note and I’ll check it regularly to ensure I’m on the right track.

Olayemi*

My resolution for the year is to get better at my job. That is, improving my writing, my knowledge about the things that I cover and my source list, and connecting more with people doing incredible work in my ecosystem. I didn’t follow through with all my resolutions for 2024, and even this year, it’s been hard — because new year resolutions involve a change of habit and carving out time for new things you think are worth pursuing. That’s really been difficult, changing old habits and some things I still do.

And of course, I know that most of what I see is an accumulation of small, tiny habits: read one hour today, read one hour tomorrow, eventually by the end of the month, one has probably finished reading four books. Everyone already has busy lives, but it’s the intention of carving out time for something and sticking to it. Being disciplined about it is usually hard for most people and for me as well. But this year, we go again — we no gree, because eventually my life’s in my hands and it’s up to me what I make of it.

Mikun

I no longer work with resolutions, I work with prophecies and it’s much more effective. For example, I knew everything that happened to me in 2024 will happen right from the last days of 2023. God told me everything and I wrote them down. To help me visualise it, I put the visions together in one picture. Occasionally, I get visions about what God is willing to share about the people around me as well. I also told my friends what He had told me because I needed witnesses. God told me everything, down to December. So I’ve ditched resolutions since then. I follow prophecy and God’s instructions.

I have no resolution for 2025 either. My ultimate goal is to seek the kingdom of God. That’s all He told me for this year. And no, I’m helped by God so I don’t backslide on His instructions.

I put aside resolutions and started to work with prophecy in 2024 because that was the year I started hearing God and trusting His leading. I used to be a control freak, so I was a fan of resolutions. They used to fail like mad. For example, in 2023, I told myself that I was going to make my first million. I worked so hard but I didn’t hit it. I did in 2024 and it was a gift. In 2024, I did everything God told me and more. There was something He told me about November 2024 and I was terrified it wouldn’t happen, but it did. When you follow visions, you have a divine advantage. It’s really beautiful. To be honest, I don’t do anything outside the Holy Spirit. I don’t have habits that He can’t break. I had an addiction to soda and I wanted to stop it. I told Him about it and it’s been easy since then. Sometimes, prophecies can come in the form of instructions that would require you to drop certain habits. 

Philemon

I don’t think they’re new year resolutions. I like to think of them as goals I’d like to achieve because they’ve been my goals even before 2025. I’ve never really written down a new year’s resolution. I didn’t have any new year’s resolutions for 2024. My goals were to improve my craft and value, which I think I did.

This year, I have goals I’d like to achieve and I work towards. The first and the most important is to get more money. I’m also keen on improving my health and value as an individual and a professional. I also want to build my body. That’s all.

Betty

My new year resolution is to deepen my creative explorations: write more and paint more. I spent last year in a pessimistic struggle for survival. 2025 is a nice year to make a change. I don’t usually have new year’s resolutions, but I follow through like 50% according to my track record.

Chigor

I actually don’t follow up with my plans. I usually come into the new year with plenty of energy and then back slide later. Last year for instance, one of the things I said I was going to do was workout, but I only did it till March and stopped. I backslided on some other plans last year that I can’t really start listing. But there are some like working out, making more friends, putting my work out there and stuff that I achieved.

The effort I make to follow through with my resolutions is mostly not calling them “resolutions” and making them a big deal, because once it’s framed as a big deal, my brain sort of taps out along the line. So, I’m just taking things one step at a time. For 2025, I don’t really have a “resolution,” but one thing I’ve acknowledged I want to do this year is go out more. I already aligned with one of my friends on this. We’re supposed to have a call this weekend about it actually.

Bobga

I didn’t set clear resolutions in 2024, to be honest. I went with the flow for most of it. Though it wasn’t horrible because I was very malleable and adjusted to situations better. For instance, I’d been waiting for my results to get cleared, so I could go do my NYSC, but I wasn’t sure when they’d clear it. So whenever I got disappointed by the school, I just made short term decisions that I believed would add up in the long run, like learning to mix vocals, or taking tutorials to improve my visual art.

This 2025 is the first time I’m setting clear resolutions. I want to hit the gym and bulk up. I want to drop more projects as an artist, explore more genres as an artist too. I also plan to be more outgoing.

Samuel

My resolution for the new year is to get a job that pays in dollars  because I’m currently too poor to live in this country with my current income as a graphic and product designer. Also, I want to work more on my music this year.

I had a resolution to learn product design in 2024 and I followed through. I always try my best to follow through because my resolutions are very critical to my life. This new year, I’m taking one step at a time and staying positive.

Owoh

My resolution this year is to try as much as possible to stay sober. I want to cut down my drinking and smoking habits this year and focus on working out. My body needs a break and the exercises. My resolution for 2024 was to earn bigger and I did it. I got a new job and doubled my income. In 2025, I’m confident I’ll make more money than I did last year, but my health is my top priority this year. My HMO covers gym membership, which I’m super grateful for, and I’ve already registered and started working out small small.

Dinho

The thing about resolutions is that I’m always backsliding. I don’t think I’ve ever made a resolution and seen it through. Funny, I didn’t have any resolutions in 2024, I just wanted to get through the year. Regardless, what’s life if we don’t strive?

2025, so help me God, I intend to be more disciplined about showing up everyday. I genuinely believe it’s the key to success in my life. I’ve been committing to that by following the routine I created for myself to optimize workflow last year. I’m not taking any unnecessary days off.

Read Next: 14 Nigerians on Their Most Used Social Media Slang of 2024

Bad Faith

This Uche Jumbo film is about the jealous nature of human beings. Here a housemaid and her friend collide to poison her boss and steal from her. It features actors like Chisom Omoge, Clinton Joshua, Daniel Etim-Effiong and Jumbo herself.

It’s Our Wedding

Chioma Chukwuka and Uche Jumbo star in this Chinney Love Eze’s film about two mothers who wouldn’t let their kids get married because they’re archenemies. Actors like Michael Dappa and Adegoke Peace also star in it.

The Homecoming

In this emotional film, a woman returns home to loss, broken family ties, unresolved issues, and a toxic work environment. Yet she finds love in all the chaos. It features Bimbo Ademoye, Timini Egbuson and Bisola Aiyeola.

Teacher Dorcas

This film follows the story of a teacher named Dorcas who loves her job and gives her all to educate her students. She helps a student who is impregnated beat societal stigmas and gets back to her education. Bimbo Ademoye, Lateef Adedimeji, and Ehis Perfect feature in this Uduak Isong production.

Ibale

In this YouTube Yoruba film, a poor couple finds a spiritual solution to their financial troubles at a babalawo’s place. But their fate is tied to the wife’s “ibale” (or virginity in English). Ayo Olaiya, Temitope Aremu, and Akinola Akano are cast members.

Business Partner

Veteran actor Bolaji Amusan, AKA Mr. Latin, produced this comedy about elderly friends who come together to form a business of fake seers. But they ruined it eventually with their greediness. It features acts such as Adeola Soremi, Monsuru Ijayegbemi and Yomi King. If you like Mr. Latin’s kind of comedy: light, a bit corny and cheesy, then you’ll enjoy this.

Unwanted Wife

A mother-in-law takes over her son’s house and makes his wife’s life hell. Chioma Nwosu and Shazanay Okawa star in this film.

Last Days

A devoted Christian and single mother questions her faith and God when her breast cancer returns. This is a Moses Olufemi film that stars Funsho Adeolu, Susan Peters, and Bimbo Ademoye.

Hyphen

This Ayobami Adegboyega film tells the story of a stingy husband who disrespects his wife and always makes excuses that “things are hard,” yet he finds money to fund his adulterous lifestyle. Other actors include Omolara Ayoola, Gabriella Obadare and Joseph Solomon.

Meet the Parents

A lady called Gina met a guy called Bolu coincidentally, setting off their romance in the festive season. It explored other themes like family and communication. This latest Omoni Oboli film features actors like Michael Dappa, Patrick Doyle and Toyin Alausa.

See below eight albums that you should look out for in 2025:

TBA* — Tiwa Savage

In case you’re wondering what TBA is, I’m simply saying that the title of Tiwa Savage’s new album, set for release this year, is to be announced. She recently posted on her IG story that the album, her fifth release, will likely be her last one. Its release date is also to be announced. While we wait for the album, stream her latest single, “Mega Money Mega.”

Unkle K — Kizz Daniel

Whether Kizz Daniel is looking to offer big-uncle support to his nieces and nephews or a crash course on enjoyment to the youngins who find him cool, his upcoming album, Unkle K, is giving millennial vibes. No release date yet, but we trust Mr. No Bad Songs to deliver jams for both the young and old. His new single with AG Baby is out.

No Sign of Weakness — Burna Boy

I’m hoping that when Burna Boy is done with all his internet drama, which should’ve faded with 2024, he’ll join us in 2025 and begin a proper, organic rollout for his next album, No Sign of Weakness. There is no release date yet. No confirmation if “Bundle By Bundle” is a single from Burna’s new album, but it’s his latest jam and it gets the club going.

Clarity of Mind — Omah Lay

After finding love among fans of emo music, Omah Lay leaves his Boy Alone era behind and offers Clarity of Mind with his upcoming album. This time, he picks yellow as his album art, something brighter and illuminating, to win over all the happy folks and possibly heal those still lonely and struggling. It’s been eleven months since this song came out. We patiently look forward to his next drop.

I Am the Blueprint — Qing Madi

Thankfully, Qing Madi didn’t rob us of her incredible talents by giving up on music at age 13. Now, she’s 18, and her debut album, dropping on January 31, 2025, is set to make a statement of what she had said about herself and her musical journey: I Am the Blueprint. It isn’t a cap that she’s one of the hottest 18-year-old singers and dancers in Afrobeats at the moment. She has a new single titled “Favorite Pyscho.”

5ive — Davido

On March 14, 2025, Davido will put out his fifth studio album 5ive. It’s a 17-track album, and he has dropped two singles, “Awuke” and “Funds” off it. It’s almost two years since OBO’s last album, Timeless, and I hope the new one, 5ive, is worth it. “Awuke” is one of two singles he put out last year.

Protect Sarz At All Costs — Sarz

Nigerian prolific music producer and DJ, Sarz is back this year with a new project, Protect Sarz At All Costs. From its title alone, it’s giving ambitious. With a daring solo project like Sarz Is Not Your Mate and the beastly EDM-infused production he’s churning out lately, his new album is set to be an experimental and bold rave soundscape. No release date yet, but keep on jamming his new single with Asake.

TBA* — Lojay

Afrobeats lover boy Lojay will also release his first official full-length album in 2025. There is no title or release date yet, but we’ll continue rinsing and repeating his latest singles like “Billion”, “Loveless,” and “Dishonest.”

ICYMI, Our 10 Best Afrobeats Albums of 2024

But what exactly is a streaming farm? Simply put, it’s a shady operation where bots, fake accounts, and other sneaky tactics are used to inflate music streaming numbers artificially. We’re talking millions of fake streams, raking in thousands of dollars in royalties. Welcome to the wild, wild west of surviving DSP.

If you’re looking to get into it, we have seven sure-fire steps below:

Buy a plot of land in Ikorodu

To set up a streaming farm, the first thing you need is space to set up a shop and store your devices. So, if you have free land, now is the time to build a structure on it. If you don’t have that, consider buying or leasing one at Ikorodu.

Buy many Buy-1-Get 5-free SIM cards in traffic

You need many SIM cards for your multiple phones to stream songs and share a hotspot with the laptops. Suggesting an efficient internet provider in Nigeria is hard, but go with what works for you.

Pay a trip to Alaba

The most essential tools you need for your streaming farm hustle are phones and laptops because they stream your clients’ songs. Get many for cheap at Alaba International. They can never be too many. 

Buy unlimited data plans

I’m sorry, but ₦600 for 2.5 gigabytes of data can’t sustain a streaming farm. You need unlimited data. Stick with the networks in Nigeria if you don’t have Starlink money.

Invest in good jazz

You need a strong connection to reroute the IP of your streaming devices to residential addresses outside the original location to rake up streams from other places. Even the most premium VPI can’t stand beside a very good jazz. Argue with your tech bros.

Employ your jobless friends

You need people to oversee the operations. Who else fits this, if not your less-busy discreet friends or relatives?

Refuse to trust NEPA

If you put all your hope in NEPA, you can’t have a booming streaming farm. Instead, invest in solar or be ready to splurge on fuel or diesel.

Whether setting the scene in party anthems or adding flair to smooth love songs, Hennessy has become synonymous with celebration and success. Here are 13 times Hennessy made an appearance in Afrobeats hits from the 2000s to the 2020s, cementing its place as the go-to drink for good times.

“Yahooze” – Olu Maintain (2007)

“Yahooze” was a cultural moment, marking the rise of a new wave of wealth and success in Nigeria’s party scene. Sipping on Hennessy became symbolic of making it big. For many, Olu Maintain didn’t just release a song. It was a crash course on a kind of street luxury that has held the culture firmly for decades. Hennessy’s presence in the lyrics further sealed it.

“Bumper To Bumper” – Wande Coal (2009)

In 2009 Wande Coal’s hit, “Bumper To Bumper” was certainly the song of the year. It also is a song that continued the reign of Hennessy as a status symbol among those who like to live life. “Oya come see wetin I dey see/ People popping champagne and the Hennessy/ Everybody in de club dem be feeling me,” he sings in the second line.

“Ever Since” – Reminisce Ft 9ice (2012)

We were ushered into a new decade also with Hennessy in the lyrics of the rap song “Ever Since” by Reminisce. “Too much money like Mic Jagger/ Hennessy in my liver dey make me dey stagger/ They call me the baba,” Reminisce sings announcing his status as one of the greatest Nigerian rappers. The line shows that when the Henny hits much can be achieved.

“Dance Go (Eau De Vie)” – 2Face Idibia & Wizkid (2014)

In this iconic collaboration, 2Face and Wizkid give a nod to Hennessy, the drink that keeps the party going. “Hennessy yapa, I no dey see person” is a perfect way to describe how Henny helps you forget your worries and dance the night away. You’re either dancing, or you’re not in the room—no in-between.

“Tiwa’s Vibe” – Tiwa Savage (2018)

In this song, Tiwa Savage explores her vibe, which is to have fun and shayo. “Hennessy for my cup/ henne dey for body oh/ Shayo gallore/ see oju ti leri oh yeh yeh,” she sings. For her, the party only starts when the Henny enters her cup.

“Bad Influence” – Omah Lay (2020)

Omah Lay’s “Bad Influence” might’ve had us deep in our feelings, but he still made sure to let us know Hennessy was part of the mix. “I’m drinking Hennessy now, I hope you see now” speaks to those moments when a sip of Henny is all you need to reflect and vibe out.

“Ginger Me” – Rema (2020)

Rema takes romance to a whole new level in “Ginger Me,” comparing his lover to the feeling Hennessy gives. “Only you wey dey high me like Hennessy” captures the smooth, warm feeling you get when both love and Henny hit just right. This one’s for lovers who enjoy their romance with a touch of luxury.

“High” – Adekunle Gold ft. Davido (2021)

Adekunle Gold and Davido weren’t playing around in “High.” Mentioning Hennessy 250, they took flexing to a new level. The song is all about being on a high, and what better way to symbolise that than with a premium bottle of Henny? It’s the ultimate luxury for those living large.

“It’s Plenty” – Burna Boy (2022)

Burna Boy brings the energy in “It’s Plenty,” and of course, Hennessy is part of the party. When Burna sings, “Hennessy for the head top,” you know it’s a time for celebration. The song is all about enjoying life to the fullest, and Hennessy is the drink that fuels the fun.

“Won Da Mo” – Mavins ft. Rema, Boy Spyce (2022)

The Mavins team came through with “Won Da Mo,” giving Hennessy a special mention in the line, “Mix my Monster with Hennessy.” Whether it’s to keep the party lit or to push through a grind, Henny’s got a role to play, mixing smooth vibes with energy to keep things rolling.

“Arizona” – Lojay ft. Olamide (2023)

Lojay and Olamide delivered a hit with “Arizona,” where they shout out Hennessy with the line “Hennessy gbe mi trabaye.” Henny has the power to elevate your vibes to a whole new level. This track is all about living outside and feeling good, with Hennessy providing that extra boost.

“Bad Vibe” – Ayra Starr ft. Seyi Vibez (2024)

Ayra Starr and Seyi Vibez bring a 2024 hit with “Bad Vibe,” where Hennessy gets a special shoutout. The carefree, unbothered energy of the track fits perfectly with Henny, as they sing about mixing it up with no stress. “Mix it with that Hennessy” is the anthem for living life on your own terms, with Henny by your side.

“Ilashe” – BNXN & Ruger (2024)

BNXN and Ruger show us how to live it up in “Ilashe.” With lyrics like “Hennessy on the way,” it’s clear that Henny is the drink that keeps the good vibes going. If you’re in the mood to splurge and enjoy life, this track—and the Henny in it—is for you.

As we gradually approach the end of 2024, we’ve dug through the piles of the year’s music releases to find the best albums it has offered.

“HEIS” — Rema

Rema’s second album, “HEIS”, is a hyperfast music packaged for night-long parties and swarming raves. Rema uses the album to pay tribute to his Edo roots. The title translates to “number one”. “HEIS” has been met with criticisms that question Rema’s artistic integrity and unexpected sound disruption. However, it remains one of  the most experimental and daring music we’ve heard this year.

“adedamola” — Fireboy DML

Fireboy DML throws his playboy persona out the window and welcomes the lover boy back on “adedamola”, his self-titled latest album. The project pays tribute to his inspirations like Lagbaja and Wande Coal. Also, shout-out to the wicked babe who made him sing his heart out on hell and back.

“The Year I Turned 21” — Ayra Starr

Ayra Starr’s “The Year I Turned 21 (TYIT21)” album is a coming-of-age project. She sings about personal longing and celebrity pressure. It won’t make you feel like a 21-year-old, but you’ll remember your youthful exuberance.

“Stubborn” — Victony

“Stubborn” is Victony’s semi-autobiography album. Perhaps the title refers to a trait he was known for as a kid or his resilience in the face of adversity, like the life-altering car accident he had. From his low moments to accomplishments to love experiences, Victony finds a plethora of messages to deliver on his debut album.

“Morayo” — Wizkid

Prior to “Morayo”, Wizkid sang about finding his purpose on Asake’s MMS. On his latest album, the Afrobeats superstar celebrates his late mother. Maybe that’s his purpose and it’s the biblical and traditional expectation to honour parents. While that may be the premise of “Morayo”, it’s a coat over the sweet songs, most of which are surface-deep. If you’re in search of a state-of-grief, I-can’t-want-to-leave-without-you, tear-jerking music, this isn’t it. But a good-time with sexy and gyrating tunes? A blast is guaranteed.

“Master of Ballads” — Dwin, the Stoic

Heartbreak survivor’s testimonies, finished lover yearnings and different emotional frequencies define Dwin, the Stoic’s sophomore solo album, “Master of Ballads.” Naked and comfortable in its composition and lyricism, the music warmly welcomes the emotional and slowly takes off the hard-guy mask to accommodate open-hearted vulnerability. That is, it’s made for self-love, romance, heartbreak, grief, rebound and all the affairs and fair shares of relationships. Dwin may call himself a stoic, but he knows how to sing about almost all feelings, including yours, too much.

“Dearest Madam Pt. 1” — DOTTi the Deity

Real lovers should assemble here for “Madam Dearest Pt. 1”. The album’s a sequence of melodious yearnings and affectionate lyrics harmonised for the pleasure of hopeless romantics. 

“Homeless” — Llona

If you’re looking for emotive music that covers loneliness, rejection and depression, Llona’s “Homeless” is for you. If you feel as described, the album’s the music that knows your story. Its lyricism shines best when it unclads emotions; it leaves the listeners no choice but to face their demons. “Homeless” is realism and escapism at the same time.

“Lungu Boy” — Asake

Asake shifted from Amapiano production and went after other sound experiments on his third album, “Lungu Boy”. He found new pockets to showcase fresh flows and take his music to global space. “Lungu Boy” is not his best work, but it proves he’s not operating in a box.

“Press Play” — Niniola

It’s been a decade since Niniola entered the Nigerian music scene. In terms of her dedication to her sound and its improvement, she remains one of the most consistent artists. Her new album “Press Play”, like her previous works, clearly explores sophisticated debauchery and enjoyment. It wouldn’t be totally wrong to call Niniola a refined version of juju singer Saint Janet.

The movies listed below were chosen for their remarkable efforts to elevate the standard of excellence in an industry where that has often been the greatest challenge.

Here are the 10 Best Nollywood Movies of 2024:

Everybody Loves Jenifa

The latest instalment in Funke Akindele’s beloved Jenifa franchise is the talk of the town! Everybody Loves Jenifa takes fans on a heartwarming journey as Jenifa embraces a new role as a humanitarian. In a surprising twist, Jenifa and Toyo Baby (Juliana Olayode) reconcile, bringing back the fan-favourite duo. Shippers are also treated to updates on Jenifa and Sege’s (Falz) love story.

The star-studded cast includes Nancy Isime, Stan Nze, Bisola Aiyeola, Patience Ozokwor, Chimezie Imo, Jackie Appiah, and Layi Wasabi.

Funmilayo Ransome-Kuti

Bolanle Austen-Peters’ biopic, Funmilayo Ransome-Kuti, based on the life of the iconic activist, is as relevant today as it would have been in the early 20th century, when it is set. Themes of unjust taxation, government oppression, and a populace conditioned to endure subjugation remain strikingly familiar.

Beyond these timeless tropes, the film offers a fresh and compelling exploration of Funmilayo Ransome-Kuti’s life, portraying her not just as an educator and activist but also as a wife, mother, and fearless pioneer of “good trouble”—a perspective far richer than any Social Studies class could provide.

The cast includes Kehinde Bankole as Funmilayo, Joke Silva as Older Funmilayo, Adunni Ade as Mrs. Thompson, Jide Kosoko as Otun, Oga Bello as Alake, Dele Odule as Osi, Omowumi Dada as Grace Eniola, and Iremide Adeoye as Young Israel.

House of Ga’a

House of Ga’a, directed by Bolanle Austen-Peters, chronicles the rise and ruthless reign of Bashorun Ga’a during the height of the Oyo Empire. The story follows Ga’a as he orchestrates the downfall of several Alaafins, amassing so much power and influence that he becomes more formidable than the Alaafin he served. Despite securing numerous victories for the empire, his ambition and tyranny lead to a gripping tale of power, betrayal, and legacy.

The cast includes Femi Branch as Bashorun Ga’a, Mike Afolarin, Tosin Adeyemi, Funke Akindele, Ibrahim Chatta, Toyin Abraham, Lateef Adedimeji, and Tope Adenibuyan.

Lisabi: The Uprising

Set in the 18th-century Oyo Empire, Lisabi: The Uprising tells the gripping story of an Egba farmer who sparks a rebellion against the oppressive regime. Rallying his fellow farmers and harnessing mysterious abilities, he leads a daring revolt that results in the defeat of over 6,000 Oyo soldiers. This pivotal act secures Egba’s independence after centuries of subjugation, etching his name into Yoruba history.

Executive produced by Lateef Adedimeji and directed by Niyi Akinmolayan, the film features Femi Adebayo, Odunlade Adekola, Ibrahim Itele Yekini, Ibrahim Chattah, Mo Bimpe, Eniola Ajao, Liquorose Afije, and Lateef Adedimeji.

The Legend of the Vagabond Queen of Lagos

Directed by The Agbajowo Collective, The Legend of the Vagabond Queen of Lagos is a powerful drama that brings attention to the plight of the Otodo-Gbame settlement, a slum community in Lagos that was forcibly demolished in 2017, displacing over 30,000 people. The film follows a young single mother who stumbles upon a bag of cash, viewing it as her chance for a better life.

However, her escape from poverty is threatened when corrupt politicians manipulate members of the community to settle old scores. The film explores themes of survival, corruption, and social injustice in contemporary Lagos. The cast includes Teniola Aladese, Temiloluwa Ami-Williams, Gerard Avlessi, and Kachi Okechukwu.

Farmer’s Bride

Farmer’s Bride tells the story of Funmi, a young woman forced by her parents to marry a wealthy older farmer. As is often the case in Nollywood dramas, sparks fly when she crosses paths with Femi, the farmer’s young university-dropout nephew, leading to a forbidden romance that unravels their lives and sets the stage for a gripping tale.

As the story unfolds, Funmi falls deeply in love with Femi, but tragedy strikes. In her village, strict customs dictate that if a child’s paternity is questioned, the baby’s life is forfeit, and the mother faces severe consequences. This shocking turn of events pits Funmi against her community with devastating stakes.

The cast are Wumi Toriola, Tobi Bakre, Mercy Aigbe, Efe Irele, Ayako Kirishima, Femi Branch, Gaichi Kôno, and Gbubemi Ejeye.

Christmas in Lagos

Jade Osiberu’s latest Prime Video original, Christmas in Lagos, is a dazzling exploration of love, friendship, and self-discovery set against a backdrop of Lagosian opulence and flair.

The story centres on Fiyin (Teniola Aladese), a young woman navigating unrequited love for her best friend, Elo (Shalom C. Obiago). Elo’s return from the U.S. to propose to his girlfriend, Yagazie (Angel Anosike), sets off a chain of emotional events. In her pursuit of Elo’s affection, Fiyin tests their friendship and the foundation of Elo and Yagazie’s relationship, leading to revelations that change everything.

Adding to the intrigue is a parallel romantic subplot featuring Gbemi (Shaffy Bello), whose heart is sought by two suitors: the charming Toye (Wale Ojo) and the powerful Chief Dozie (Richard Mofe-Damijo).

Tòkunbò

Directed by Ramsey Nouah, Tòkunbò is a gripping action-drama starring Gideon Okeke as Tokunbo, a former car smuggler forced back into the dangerous criminal world when his son falls ill. Tokunbo must deliver a kidnapped child to the Seme border or face deadly consequences for his family.

As he navigates betrayal, Tokunbo faces a dangerous conspiracy involving Deputy Governor Raymond and the daughter of a high-ranking government official. The film also features an all-star cast, including Majid Michel, Funlola Aofiyebi-Raimi, Adunni Ade, Ibrahim Itele Yekini, Tosin Adeyemi, and Richard Mofe-Damijo.

Momiwa

Directed by Biodun Stephen, Momiwa tells the poignant and drama-filled story of a single father, Naeto (Uzor Arukwe), who is forced to raise his children alone after his wife leaves him during a financial crisis. However, Momiwa (Blessing Jessica Obasi-Nze) enters their lives as a supportive figure, helping Naeto rebuild his life and creating a unique family dynamic.

Their newfound happiness is disrupted when Naeto’s ex-wife, Kiki (Iyabo Ojo), returns, and the family is torn between the past and present. Naeto struggles with anger towards Kiki, but Momiwa persuades him to give her a second chance.

The Weekend

The Weekend is a gripping Nigerian thriller about the complexities of in-law dynamics, keeping viewers on the edge of their seats with unpredictable twists. Directed by Daniel Oriahi, the film follows Nikiya (Uzoamaka Aniunoh), an orphan yearning for a family who finds solace in her fiancé, Luke (Bucci Franklin).

Despite his reluctance, Luke eventually agrees to introduce Nikiya to his family. However, what starts as a simple visit quickly unravels as Nikiya discovers the deep-seated family secrets that Luke has been hiding, leading to tension and conflict. The cast includes Ekpenyong Bassey Inyang, Meg Otanwa, Gloria Anozie-Young, Damilola Ogunsi, James Gardiner, and Bryan Okoye.

ALSO READ: 10 Best Afrobeats Songs of 2024

For nearly two decades, Vector tha Viper has rapped each verse like he’s brightening a dull room, transferring his wit and coolness before charmingly bursting into a thousand volts of energy at the song’s end.

Whether subbing record labels that pressure him to spit in “vernacular” (as he called Yoruba in his song “Kilode”) to sell, or boasting about being a better version of what everyone assumes is the best, there’s a self-consciousness and intentional energy to Vector’s rap style that sets him apart. From Sarkodie to Reminisce, M.I Abaga, Jesse Jagz, Show Dem Camp, and many more, Vector has consistently held his place as one of West Africa’s finest.

At this point in his career, Vector could focus solely on his mid-range medleys, expressing how he feels, and his legacy would remain intact. On his sixth studio album, Teslim: A Lover Boy PTSD, the Lafiaji rapper embraces his transition into a lover boy. Following the evolution of his “Teslim” persona and earlier instalments in his discography, this new album extensively explores his romantic and experimental sides.

What is the inspiration for this album?

“A Lover Boy’s PTSD” is how the average man would claim they feel about expressing love. Though it’s not just referring to the men: it’s both sexes. But because I’m male and my pronouns are he and him, it had to be a lover stating the fact that he’s a lover boy. The PTSD is the reason why he can’t really show it too much. So, this album is dedicated to the women getting a little good out of lover boys’ PTSD.

You sing a lot in this album, which reminds me of “Early Momo,” as opposed to rapping. Why?

I wasn’t trying to put a certain targeted sound together just to achieve something. I was just making music, and it all came together as such. It’s not something that came from the “Early Momo” wave. As a matter of fact, “Early Momo” rode on a couple of others.

Music can’t be defined whether in creation or after creation, meaning whether in process or success, you still can’t define it. So for what it’s worth, I didn’t make this album targeting any particular thing. It’s just a series of moments where music was made. For example, “Can’t Come Close” is a real life situation happening every other day. The older you get in your journey, the more you have time to maybe address musically some other things that you’ve experienced and one for me would be a whole lot of women.

Knowing that I’ve had many interactions with women and noticing that my pops loved many women, too, I can see how that energy could be transferred.

But this music (singing) is just one of those things that happen as you explore your talent more.

Any fear of giving people what they aren’t used to?

No, never. The only problem I’ve had is people trying to direct my artistry. I’ve always been a mad scientist type of artist, a choir boy.

Yeah, you seem like one, but the rap image has stuck with many people

I know. I’m a rapper, too. It’s both simultaneously well balanced. I’ve never solely made myself a rap image. Probably growing up in the barracks and Lagos Island has shaped how people identify with my artistry, because a lot of rappers build a tough guy persona.

The time people got a lot of raps was its own time. It doesn’t change the fact that I’ve always been a simultaneous artist. I probably may have struggled with it because when I came into the music setting, I often heard that if you’re a dope rapper and you can also sing,  you sound like a sissy. I don’t know what that means, but the older you grow, you realize that, for example, in Africa, if rap is “Rhythm and Poetry,” what then is rhythm? It’s melodies. So, the older I got on my journey with music, I realized that you can be dynamically gifted and express those dynamic gifts. I don’t care whether I’m singing or whether it’s rap time; I’m whooping your ass, AKA “I’m just doing me.”

The album is complimented by more singers. Tell me about the collaborations on the new album

The thing about collaboration is I let the music lead. For example, the record with Bella Shmurda existed before he dropped “Cash App.” Destiny never lies when it comes to talent.

You could tell the energy once it comes to your head. You can tell it’s not just about what’s popping or who is ringing. You can tell the appropriate energy for a record. I always go with energy, and the energy can come from anywhere. With “Iya Nla Nla” featuring Niniola, we had met, and we said we were going to make a record together and we just made it. The record with Tiwa Savage was supposed to be “My Dada” with Emmsong and Top Adlerman, but she ended up on “Repay Your Part.”

My brother Kane facilitated the foreign collaborations. Madame Betty, a longtime friend, introduced us to some artists around the time Kane went to Colombia and met their Vice President to discuss the arts, especially the relationship of Yoruba culture in their regions. That was how collaborators like Jossman and Scridge came into the picture. Kane pulled it off, but it’s all just from relationships that we’ve built in the music industry years over.

So, there was no intention to assemble the Justice League, if you know what I mean. The music just needed to honestly be of interest to the collaborators.

How do you maintain total creativity and ownership in the room?

At some point, you speak to execs or people who intend to run management or do things, and everybody just has the same statement: “If there’s money now, we’ll do this.” I understand the place of money in all these things or in achieving stuff in the world. But what about the artists that don’t have money? Does that mean they will not do anything? So, when I heard that a lot, I was like, “Okay, maybe it’s not a wrong thing. Perhaps it’s just not for me. I’ve played that card before, and I don’t know what the structuring is, but there’s just a lot going on that’s straightforward on paper but not in reality.

I personally don’t know how to dwell in that vicinity, so I removed myself from that conversation about people interfering in the arts process a long time ago. One thing I realised as well is that once an artist does this, they start to see less of the artist in a lot of places. The product from the artist is public consumption, but not the artist, like the art.

There was a time when we were up and coming, you always had to be in the club to show that you’re an artist. I felt that was a bit awkward, but who am I to judge a multitude of people doing the same thing? But at some point, you see that being at the club every time doesn’t do anything for your music other than maybe inspire you to make the same type of club music. That’s not the alpha and omega of artistry. I knew that that wasn’t a thing for me. So, I just kind of left it. I didn’t argue with it. I didn’t fight it. I just left it because it’s not a thing for me.

You were in London for the first time this year. How was that?

It was my first time in London this year. I performed my music to people, it was good. It’s one of my moves to take my music around globally and meet fans. The move is also part of artistic liberation because we’re open to going out there and just creating more opportunities for artists from Africa or Nigeria or anybody close to us. 

I’m not saying it was intentionally curated for African nationals. I just wanted to get my tour up and be able to see if it was doable. And since it’s doable, let every other interested person come and get it done with us. But it’s definitely about to be more reaching out to the fans because we’ve built over the years.

In recent times, your music has pointed to the idea of a higher self. Is there a spiritual connection to your music?

It’s just a peaceful expression. To put it in simple terms: I can express more peacefully within the confines of music than I could trying to explain anything to anybody in a conversation. But that’s also a function of spirit, I want to believe that talent is a function of spirit. If that’s so, that means every time talent is being shown, spirituality is happening. Again, spirit lies within. We can’t escape staying in the spirit. It’s also how you tell when an energy is around you. Music has to be one of the most fluid expressions of spirituality.

How do you feel about the idea of legacy? Are you concerned about legacy?

No, I’m not concerned about legacy. You can’t really plan a legacy. Are you trying to tell me that the intention of Equatorial Guinea’s Baltasar Engonga was to be known for his 400 leaked sex tapes?

So, I’m not bothered about legacy because you can’t be bothered about the outcome of something you are busy creating. You’re busy with that and you don’t even know what issue you’d meet on that road. I can’t tell you how to see me now and it’s legacy not by the perception of everybody. For a lot of people, the stories they’ve built about me in their heads are different, and they’d spin these stories in different circles that I would never know.

How do you slow yourself down in this fast world we live in now?

I tell myself, “Calm down. Calm down.” But honestly, the only thing to use to slow down a fast-paced world is self-honesty because with honesty to the self, you tell yourself you’re not as fast as the world, and then you run at your pace. I learned to be brutally honest with myself, and that helped me slow down. For instance, at the passing of my dad, I was brutally honest to myself that I had to embrace death because everybody does it. One lives a better life when one embraces death in everyday thoughts.

Is there anything about yourself, old or new, that you see in the new generation of artists?

Have you heard the amount of people that sample “King Kong”? When I see people trying to recreate what I’ve made or my style, I’m proud. You don’t get angry at the fact that you set the trend. You should actually be glad that you were able to set trends. But at the same time, when I hear something that I want to believe is me musically, I just don’t care about it because who am I to say that person is copying from me? What if it’s something else that inspired them as such?

I’m even proud to see the new generation of rappers who can sing or rap.

What lessons have learnt from working with creatives?

I’ve learned how the Nigerian situation stifles creativity because you can’t just get up and go and create. There are so many factors affecting that. Just accommodating expressions from different creatives isn’t easy. Plus, art must be allowed to be done freely.

But the general idea around where we make art is that things can’t even be freely done. So, how can one achieve the highest point of artistic collaboration? Amenities that make things easy for artists are non-existent. That makes them lose their spark. We’re now forced to this cutthroat mentality of, “You better do it how it’s going to bring money or go that place wey things go work o.”

“People Still Like Me This Much?” — Reminisce Celebrates Fan Response to “Alaye Toh Se Gogo”

Though the year isn’t overflowing with anthems, as the industry knows it, many gems and excellent music came out this year, and they’re undeniable. Whether they flew under your radar, weren’t the biggest hits, or just weren’t your cup of tea, they locked it down this year.

In no particular order.

OZEBA — Rema

As playful and disruptive as OZEBA may sound and present itself, what separates it from an ordinary noise amp is its protector-of-the-realm lyricism. Rema scales over boundaries, exerts flexibility, slips past gatekeepers, recognises himself as the leader of his era, and he’s assured that he has the smart to keep finessing and breaking the industry rules. “You wan gatekeep who sabi jump fence?” is a stopper statement.

Risk — Victony

One of this year’s Afrobeats novel releases is Victony’s Risk. He sings of superficial frivolities: showers of funds, fresh clothes, baddies with big bums — he wants them by any means. The song is simple, yet he brings substance to it. The beat is bouncy and unorthodox and vibrates deeper at every chant of “Risk, risk, risk.” Victony pushed his limits in multi-dimensional flows and unsubscribed from the usual uniform approach of Afrobeats.

Bad Vibez — Ayra Starr feat. Seyi Vibez 

Ayra Starr grabs Seyi Vibez for a feature on this song about avoiding people with bad spirits and channels her energy to what pays her: money. The baseline snatches waists, and the defiant lyrics, with sprinkles of good time and protective energy, are the mantra of living life from stress.

Iseoluwa — Fireboy DML

This is the album opener of Fireboy DML’s new album, “adedamola”. Iseoluwa, meaning “the work of God” in Yoruba, sees Fireboy humble and filled with gratitude for numerous things that surpass his knowledge, albeit divine: the gift of existence, a high-flying career (six years deep in the mainstream), and an affluent lifestyle. Whether it’s at a church, mosque, club, or a pensioner’s party, this song has an audience everywhere.

Morowore — Olamide 

On one hand, Olamide throws gratitude to his creator in the air. On the other, he interpolates the 2002-released Play Paul Dairo song titled Mo Wa Dupe (meaning “I came to give thanks”). This Olamide song reflects his state of mind and the believer part of him. YBNL has recorded success this year, from Asake’s global domination to Fireboy’s acclaimed new album and Olamide’s reign as a music executive.

I Go Nowhere — Dwin, the Stoic

Not many people can be simple and calm in their language and tone yet be intensely captivating with every vocal release. In this song, Dwin promises unrelenting and ever-present love to his lover. In a year with numerous hyper-fast and hard-hitting produced music, Dwin orchestrates a ballad that muses more passionately and intentionally about love when the noises are down and the head in one place.

Are You There — Ayo Maff

The woes of loneliness and walking the road of greatness or despair alone is enough reason for anyone to muster up and humbly ask, “Are you there?” Rising star Ayo Maff pours his life story and experiences from the street into a minimalist but bouncy production that holds the song from slipping into total melancholy.

Active — Asake feat. Travis Scott

Asake is active, which in urban interpretation means he’s lit, ready to go, or focused. He samples Jazzman Olofin’s Raise the Roof, featuring Fuji maestro Adewale Ayuba, whose voice is taped around Active. Asake sings of having a good time, while Travis Scott’s verse expands on that with a rap star pizzazz. It’s for the city boys and girls. Turn up!

Crown Bounce — Leather Park & Odunsi (the Engine) feat. Minz & Elias Slay66r

This is a sexy record for early morning musings into your lover’s earlobes, sweet nothings in breezy evenings and sultry confessions in the seductive darkness of the night. The artists sing about all they’d do to keep their desire burning. While they leave a reminder that they have girls around the world, there’s a focus on that one gorgeous lady.

mo de ma — Minz

Looking back at his impressive journey and recognising that this is only the beginning of what he’s set out to achieve, Minz locks in more than before. He’ll try to push out his dreams rather than rot in his comfort zone. Minz is focused on breaking down barriers and leaving marks on the game when all is said and done.